In which K and C gchat about Catching Fire

We are trying something new! Instead of texting or skyping about our reactions to Catching Fire, Kate and I saved our thoughts for a lengthy gchat, which we have posted here for your, um,  enjoyment (Seriously we didn’t talk about it AT ALL before this conversation. We must like all of you). It was an interesting exercise, because we knew we were writing for the blog, so it’s a LOT more sensical than our usual conversations, and with way less profanity and capslocks. We did a little editing for content, and for the fact that I type like a drunk raccoon. Let us know if you like this format and we can do it (or NOT do it) again in the future. We talk  a little about the whole series, but nothing super spoiler-y outside of Catching FireCatching-Fire-22-exclusive

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ARC Review of Untold by Sarah Rees Brennan

UntoldAs I promised in my review of Sarah Rees Brennan’s Unspoken, we recently got our hands on the ARC of the second book in the series, Untold. When Kate was reading Untold she sent me wonderfully mean texts such as “I laughed out loud at page 61’s description of kissing” and I begged her to tell me all of its secrets, especially if they were kissing secrets. I even picked a mutual friend up from the train station expressly for the purpose of getting this book from him after he had visited Kate in Portland. He was pleased AND confused.

Llllladies, Untold is great. It’s really great. It takes all the momentum from Unspoken, and just keeps moving in really interesting, dynamic ways. I will not spoil anything for Untold, but I will talk about a couple of plot points from Unspoken, if you haven’t read it yet (Why haven’t you read it yet? Go get it!).

All of the things I love about Unspoken are still there in Untold. Kami is still a really great protagonist. The writing is excellent, the characters are charming, and most importantly, it’s everything book two in a trilogy should be. Things Happen in this book, it in no way feels like a placeholder, and it still manages to set things up for what promises to be a very interesting book three. Continue reading

Review of Unspoken by Sarah Rees Brennan

unspoken-by-sarah-rees-brennanKate and I were very lucky to recently get our hands on an ARC of Untold, by Sarah Rees Brennan, the second book in the Lynburn Legacy series. I read Unspoken last year and told Kate to check it out, and we both LOVED it. I do not know what kind of bookstore sorcery Kate worked to get her hands on Untold, but she better keep working it.

Ok, but before we get to the magic of Untold, we need to talk about Unspoken. Let’s get down to it. Sarah Rees Brennan is a great author. Unspoken is full of elements that seem all too common in YA, and you think it’s going to be predictable. Then she flips everything on its head and events unfold in ways that are totally surprising, and yet seem like the only way any of it could possibly happen. Rees Breenan seems to get great glee out of setting up classic YA tropes and then wildly spiking them into a wonderful new direction. Continue reading

What Makes a Strong Female Character: A Basic Guide

Recently Kate and Charlotte were talking about how easy it is to focus on the negative, when there are some awesomely feminist things going on in the realm of young adult literature. So we spent a lot of time going over the relative strengths of female protagonists in young adult literature (YA for short). After several conversations, we decided it would be helpful to have a written guideline of strengths to judge characters against. We think that the list that follows is a good general template for judging. When making this list, we were aiming for broad categories – it’s not a helpful criterion if it is so specific that it describes only one or two people.

Please note, we do not expect (or want) a character to have all of these traits. That would make for boring books. However, we do expect a strong female character to possess three or more of these traits. We are also completely aware that there may well be strong female characters that don’t fit ANY of these categories. If you can think of any, please tell us who they are and why they are great! We are happy to be wrong (and to make new categories).

Divergent's heroine Tris getting ready to make a literal and metaphorical leap into the unknown

Divergent’s heroine Tris getting ready to make a literal and metaphorical leap into the unknown.

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